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Reviving Mascagni.org

Pietro Mascagni writing at his office desk at the Teatro Costanzi in Rome in 1909
Pietro Mascagni writing at his office desk at the Teatro Costanzi in Rome in 1909

After nearly a decade offline, I have finally brought Mascagni.org back to life!

A bit of history

I started putting together a site about Italian opera composer Pietro Mascagni (1863–1945) under the domain mascagni.org in 1999. While Mascagni is universally remembered for his 1890 one-act masterpiece Cavalleria rusticana, he composed 16 operas and operettas along with dozens of vocal, piano, orchestral, and sacred works, much of it wonderful and vastly underrated music.

For many years, the site grew thanks to archival research, acquisitions of material, and generous contributions from Mascagnani around the world. Technically, it also served as a testbed: Mascagni.org was dynamically generated using XML pipelines on Orbeon Presentation Server (an earlier name of Orbeon Forms) backed by a relational database. Unfortunately, as servers and dependencies aged, the original site eventually went offline around late 2016 / 2017.

Rebuilding for longevity

One lesson from running websites across nearly three decades is that dynamic server-side runtimes inevitably bit-rot if not constantly tended to, whereas static files can last almost indefinitely. Well, at least longer, and up to a point, as we know that web browsers and protocols have evolved significantly as well, and incompatibilities have surfaced (for example the universal move to HTTPS, and the disappearance of some media formats like Real Audio and Macromedia Flash).

For this revival, Mascagni.org is generated ahead of time as a completely static website using Astro. At build time, it compiles the structured relational catalog from SQLite alongside XML documents for libretti, historical articles, and performance chronologies. Everything interactive runs directly in the browsers without a backend application server:

New and restored material

Alongside migrating the archive, I took the opportunity to restore and complete several pieces of content:

  • Completed the Mascagni in San Francisco (1903) special feature — a fun connection for me here in the Bay Area — including six February 1903 San Francisco Examiner and San Francisco Chronicle articles with original newspaper sketches, as well as Mascagni’s signed autograph score of Un pensiero a San Francisco.
  • Published a complete English translation of Mascagni’s January 1914 La Lettura essay, How Parisina was Born, paired with the Italian text and magazine scans, and Giovanni Targioni-Tozzetti’s March 1932 memoir Mascagni prima della « Cavalleria ».
  • Expanded the biography and individual work pages, and restored all 2007–2009 posts from The Mascagni.org Blog into the News Archive.
Mascagni's signed 1903 autograph manuscript of Un pensiero a San Francisco
Mascagni's signed 1903 autograph manuscript of Un pensiero a San Francisco

If you have any interest in Italian music, musical archives, or turn-of-the-century cultural history, head over to Mascagni.org!